2025第九届金腾奖暨年度设计时尚盛典

李加晨魏芸

城市：上海市
公司： IMS上海乂墨空间设计事务所
参赛作品：自然宅邸
空间类型：公寓（150㎡以下）

个人/公司简介：
2025日本概念艺术设计奖银奖- 2024AG芬兰设计奖银奖- 2024英国设计奖银奖（双银奖）- 2023HKDADC香港数字艺术奖二等奖- 2023AG芬兰设计奖铜奖- 2022USDA美国新概念设计奖二等奖

设计说明 | Design Instruction

人字纹木质地板如大地乐章，当目光掠过地板的温润肌理，突然被大理石茶几的冷冽光泽打断——这块带有如雪花般纹理的白色大理石，表面流淌着宛如塞纳河在月光下泛起的涟漪。金属吊灯的黄铜包边则像第三位舞者，用璀璨的光泽将冷暖材质编织成华美的三重奏，让古典与现代在空气中达成完美和解。 →The herringbone patterned wooden floor is like a symphony of the earth. As the gaze swept over the warm texture of the floor, it was suddenly interrupted by the cold luster of the marble coffee table - this white marble with a snowflake like texture flowed on its surface like ripples of the Seine River in the moonlight. The brass edging of the metal chandelier resembles a third dancer, weaving warm and cold materials into a beautiful trio with brilliant luster, achieving a perfect harmony between classical and modern in the air. 会客厅虽然未严格遵循对称，但空间里藏着精妙的平衡术。吊灯始终是视觉的锚点，水晶垂坠如星河倾泻，与地面大理石的天然纹路形成垂直对话。茶几、沙发、落地窗构成三条平行线，却在抱枕堆叠处、花瓶倾斜时打破刻板，像未完成的乐谱等待生活来填满音符。最妙是窗帘半掩的瞬间，光影在雕花石膏线上切割出巴洛克式的光影戏剧。 →Although the living room does not strictly adhere to symmetry, it embodies a subtle art of balance. The chandelier remains a visual anchor, with its crystal droplets cascading like a starry river, forming a vertical dialogue with the natural patterns of the marble floor. The coffee table, sofa, and floor-to-ceiling windows constitute three parallel lines, yet they break the rigidity with the piled up throw pillows and the tilted vase, resembling an unfinished sheet of music waiting to be filled with life's notes. The most exquisite moment is when the curtains are half-closed, casting a Baroque-style light and shadow drama on the carved plaster molding.